Showing posts with label guitar effects. Show all posts
Showing posts with label guitar effects. Show all posts

7/11/2012

Behringer SM200 Slow Motion Effects Pedal Review

Behringer SM200 Slow Motion Effects Pedal
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(More customer reviews)
I am very pleased with this pedal. It's really cool hooked up to a delay.

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The SM200 effects pedal smoothes out your guitar's attack and swells the volume automatically-letting your guitar sound like a violin. This pedal provides a very classic and famous "slow motion" sound effect. The SM200 features dedicated Attack and Sensitivity controls for awesome sound shaping. A cool blue status LED for effect on/off and battery check plus a first-class electronic on/off switch for highest signal integrity in bypass mode are included. The SM200 runs on a 9 V battery or a DC power supply (not included).

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7/05/2012

Electro-Harmonix Micro POG Polyphonic Octave Generator Review

Electro-Harmonix Micro POG Polyphonic Octave Generator
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The biggest complaint I've heard anyone come up with about this pedal is that it's "not the real POG", which honestly, isn't necessarily a bad thing. The Micro POG has 3 knobs and an on/off switch - one knob controls the "dry" signal (the clean signal from your guitar), one controls the "Sub Octave" signal (your guitar signal taken down an octave), and the last controls the "Octave Up" (your guitar signal taken up an octave).
The best part of this pedal is that it's "Polyphonic" - it will track multiple notes at once and work it's magic on every note you play.
This pedal really deserves a place on anyone's pedal board - want to thicken up some of your rhythm lines? Make your Stratocaster sound like an organ? Unleash a wave of "how is he doing that?" sounds?
If you want to do any of that, I would highly recommend the POG.
PS The thing is rock solid.

Click Here to see more reviews about: Electro-Harmonix Micro POG Polyphonic Octave Generator

The Electro-Harmonix Micro POG pedal offers you peanut-butter milkshake thick sound.The EHX XO series Micro POG is a polyphonic octave generator effect that will make your 6-string guitar sound like a 12-string and make your 4-string bass sound like an 8-string. The Micro Pog's super-fast tracking gives you glitch-free polyphony and makes a great bass sound using the sub octave. Includes Dry, Sub Octave, and Octave Up controls. Dry and wet outputs. 96DC-200BI power supply included. Electro-Harmonix XO Micro POG Polyphonic Octave Generator Guitar Effects Pedal Features: Super fast tracking Glitch-free polyphonic output Dry, Sub Octave, and Octave Up controls Dry and wet outputs Includes 96DC-200BI power supply

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7/03/2012

Fulltone Fulldrive2 MOSFET Overdrive/Clean Boost Guitar Effects Pedal Blue Review

Fulltone Fulldrive2 MOSFET Overdrive/Clean Boost Guitar Effects Pedal Blue
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Great pedal. Great. However...
It was breaking down, so I got in touch with their repair dept. They said simply, Send it in and we'll fix it. Next message from them was an invoice for $60. About one-third the cost of a new unit to repair the two switches and LEDs. I paid, no questions. After making the full payment, I emailed them to comment/complain. Here is Mike Fuller's personal response:
You are a spoiled idiot.
Go away.
Michael Fuller
[...]

Click Here to see more reviews about: Fulltone Fulldrive2 MOSFET Overdrive/Clean Boost Guitar Effects Pedal Blue

Housed in a beautiful powder-coated blue 16-gauge steel enclosure, the Fulltone Fulldrive 2 effects pedal is capable of clean boost or non-compressed overdrive via its first Overdrive Mode channel. Choose light to medium softer overdrives all while retaining your guitar's original tone. The pedal's Tone knob is a very effective Presence control that can smooth out or add upper harmonics. There's also a footswitchable second-channel Boost Mode with its own separate distortion control for medium to higher gains with a more singing violin-like sustain.

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6/28/2012

DigiTech RP250 Multi Effect Pedal Review

DigiTech RP250 Multi Effect Pedal
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Lots of effects can be had with this versatile pedal, which is also easy on the budget. I'm still checking the features out. I find the settings are pushing me to play in certain directions hitherto unexplored. Very cool. The drum beats also try hard to provide variety, and yet, they remain mechanical, acting almost like a pendulum, keeping me on the beat. Good stuff for practice and for working leads around the rhythm. I still have a long way to go before the novelty of this nice piece of engineering wears off.

Click Here to see more reviews about: DigiTech RP250 Multi Effect Pedal

Accessing superbly detailed new amp models has never been easier than with the Diti Tech RP250 Modeling Guitar Pedal! There are three easy steps to dial in the perfect sound with Digi Tech's Tone and Effects library knobs1. Pick one of 30 tone presets, 2. Pick one of 30 effects chains, 3. Dial in your effects level and rock on. You may never go any deeper into the infinitely - tweakable RP interface. Digitech's RP tone and effects libraries let you access pre-designed combinations of models as fast as you can turn the knob. From mellow and bluesy to scorch-the-face-of-the-earth-raw, you're going to find combinations that fit your playing style. It's a modeling guitar pedal with the raw power for real players and tone that deserves to be heard on stage and in the studio.

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6/23/2012

Electro-Harmonix Little Big Muff Distortion Pedal Review

Electro-Harmonix Little Big Muff Distortion Pedal
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This pedal is great. The Sustain knob (controls dist./sust.) has a wide range of choices. You want a great 70's dist. or a bit more heavy? Just adjust the knob! AWESOME and very smooth sustain, and the tone is killer from this pedal. I only had to tweak the knobs a bit before I had "that" feeling iin the back of my neck. The one that says, "That's it right there!"
The size of this pedal is nice too, it's a bit wider than say a BOSS, but it doesn't take up too much room. The box is pretty sturdy, it will take some abuse!
Alone or with a few effects, this is a great pedal

Click Here to see more reviews about: Electro-Harmonix Little Big Muff Distortion Pedal

Same silky smooth violin-like sustain and creamy tone that made the legendary 1970 Big Muff famous - This little brother proudly displays its heritage proudly. Small, pedal board friendly, die-cast case.

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6/22/2012

TC-Helicon VoiceTone Harmony-G XT Vocal Effects Processor Review

TC-Helicon VoiceTone Harmony-G XT Vocal Effects Processor
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Much simpler to use than its big daddy, the VoiceLive2--but it's missing one crucial thing: the dedicated jack for the expression pedal to turn the harmonies on and off in live situations. If you use it sparingly, it's an instrument unto itself, and with the latching footswitch, you end up playing Riverdance on it. Also: in a band situation, it's very very sensitive to outside noise into your vocal mic. You need a completely polarizing hypercardioid, and you'll need to point the other amps away from it. In a crowded cavern-type gig? Forget it. It'll squeal on you.
Perfect for acoustic gigs where you don't run signal interference. Just a beautiful invention. Next time, TC Helicon, give us that expression pedal jack, and you'll have the best performance pedal in the business.

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Kick your vocals into high gear with VoiceTone Harmony-G XT. Now with improved harmony technology and reverb from its big brother VoiceLive 2, Harmony-G XT will improve your tone and surround your voice with pro effects and vocal harmony.

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6/21/2012

Morpheus DropTune Octave Guitar Effects Pedal Review

Morpheus DropTune Octave Guitar Effects Pedal
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I will admit to not being the most proficient at playing guitar, but I like to "try" and sound like a song if I am learning it via tab or by ear. One thing that has always gotten me is the fact that I just am used to standard tuning or drop D tuning, being that those are the easiest. So what about the Morpheus? Well, I also own a Digitech Whammy Pedal, so I understand taking one string and knocking it down, but the Morpheus Droptune allows for all the strings (at once) to play.
What does all this mean?
Okay, say you like Black Sabbath, Slayer or Slipknot, they all tune down at some point in time, so how to do this, especially if you don't want to spend time re-tuning after you get bored trying to play someone else's sound? Well, as soon as you turn it on, it is a half step down, strum a chord, yep, it's a half step down..then hit the "down" button on the left...yep, down another half step, all the way to three and a half steps. Of course the metal guys drop D, then tune down, so go ahead, do that...you sound like your favorite band. Now the pedal is actually a "cheat"...should you learn to do your own tunings, of course you should. Should you, with a whammy bar, learn how to adjust your guitar? Yes you should...but after years and years of playing and not getting much fulfillment from my lack of "sounding" like the song that I am trying to play, this helped get me in tune right away.
Of course you still have to have a decent ear, make sure your original tuning is good, because I believe my salesperson a Woodwind and Brasswind said this creates polyphonic pitch drops, which looking down at my pedal right now, indeed it says that. Just imagine if something is out of tune without effect, generally from my experience, the sounds don't get better with effects, unless distortion is involved. But you'll still sound terrible if you don't know how to tune your guitar right, sounds really basic, but after seeing that there are guitars with robot tuners out there, I'm pretty sure the art of tuning your own guitar will be gone in a decade too. So just tune clean, no effect on, then turn on the effect.
There is a cool middle button that allows for you to go up a half step while the effect is on, kinda cool, but really just for effect...if you want to build a riff around that, cool, but I believe Tom Morello already did that. Also once the effect is on, you can only go down on the pedal, so this could be an issue for an active on stage guitarist, but I doubt that you'll be kicking your own effects, that is more likely going to be your klutzy singer.
I will recommend this to anyone at all that amplifies their guitar, clean or distorted, but accept the fact that on the clean sounds, you'll get more of an odd sound (slight warble, but it does exist if your are going to tune three steps down....it really does go three steps and a half down. I know...shocking) What I might suggest is learning how to feel comfortable with tuning down a half or whole step on your guitar, then setting the pedal to two whole steps down, I believe your sound will not be degraded on the clean effect.Mine was worth every penny and when I did combine it with my whammy pedal, I was able to create some wicked tones through a line-6 spider III. My "rig" isn't something to "behold" for those with the bucks or the drive to spend every last dollar on guitar related equipment, so if it sounds nice/great on my rig, I can only imagine what it will sound like on a really nice set up. (Not dissing my own stuff, but I do know that there are a lot of people out there with more in-depth set-ups) Buy it...or at least try it out.

Click Here to see more reviews about: Morpheus DropTune Octave Guitar Effects Pedal

Now you can go from one pitch for a particular song to a different pitch on the next without having to retune your guitar or owning two, three or more guitars for various step-down de-tunings.For example, play an E chord in standard tuning, then use this unique pedal to drop tune your guitar so the chord is changed to an Eb, D, Db, C, B, Bb or A.The Morpheus DROPTUNE pedal also features effect toggling so you can instantly toggle back and forth between the dropped pitch and the EFFECT OFF for a cool up/down pitch-shift effect during solos or power chord rhythm patterns.In addition, the DROPTUNE pedal has Full Octave Drop and a great-sounding Octaver.

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5/25/2012

Boss TU-3 Chromatic Pedal Tuner Review

Boss TU-3 Chromatic Pedal Tuner
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This is a newer tuner by Boss with double the accuracy from their old tuners. Boss added more lights to the front panel so it is easier to see how off you are out of tune. The battery is easy to change (no tools needed) and the lights are pretty bright to see in the sun. Of course, the pedal mutes the instrument when it's tapped, so this is great to tune up between songs. I use this for my violin, paired with the Boss EQ pedal, which makes the perfect combo for a musician on stage. Runs on a single 9 volt that lasts many many hours. Just remember to UNPLUG the input 1/4" jack when you're not going to use it for a while, otherwise it will drain the battery

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One of the world's top-selling stage tuner, the BOSS TU-2, has evolved and improved into the TU-3 pedal tuner. Housed in a tank-tough BOSS stompbox body, the TU-3 chromatic tuner features a smooth 21-segment LED meter with a High-Brightness mode that cuts through the harshest outdoor glare. Choose between Chromatic or Guitar/Bass tuning modes. Accu-Pitch Sign gives you pinpoint visual verification that tuning is complete. The BOSS TU-3 tuner incorporates a convenient Note Name Indicator that can display notes of 7-string guitars and 6-string basses, while the Flat-Tuning mode can support up to six half-steps. It's the kind of instrument pedal tuner that no performing guitarist or bass player should be without.

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5/24/2012

DigiTech Whammy Pedal Re-issue with MIDI Control Review

DigiTech Whammy Pedal Re-issue with MIDI Control
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I rarely write reviews on anything and the only reason why I am writing this is because I feel the need to give recognition for all this pedal has brought me. I would refuse to play guitar without it, its that simple. you can pretty much create any sound you want and i would consider the whammy pedal just as important as my guitar. its easy to use, and extremely worth it, dont second guess here, put up the money trust me its worth it. Ive been playing with it for over a year now and even if all I had was $200 to my name, id still spend every last penny on this pedal.

Click Here to see more reviews about: DigiTech Whammy Pedal Re-issue with MIDI Control

The DigiTech Whammy is the upgraded reincarnation of one of DigiTech's most popular pedals. It's been almost a decade since DigiTech introduced the revolutionary, original WH-1 Whammy pedal. It has become one of the most sought after, most expensive pedals on the auction and used markets. Y2K brings the return of the original Whammy with the same metal construction and rotary controls, the same presets, smooth pitch bending and harmony effects - everything . But it doesn't stop there. After perfectly recreating the original, DigiTech added MIDI control and a new Dive Bomb effect. Dive Bomb sounds like you bottomed out a Floyd Rose to the point where the strings slap against the frets and pickups. Power supply included. DigiTech Whammy Pedal Features Original Whammy performance Original Whammy presets New Dive Bomb effect Rugged new industrial chassis design LED indicated Display Preset selection MIDI In for remote control Wet-Dry outputs Power supply included Every feature of the original WH-1 has been included in the new Whammy; From the rotary preset selection knob, to the Ferrari red color; From the mechanical momentary switch, to the exact same interval selections. However, the new Whammy has added the versatility of MIDI control making this timeless effect flexible enough for any situation. The new Dive Bomb Preset gives the effect of a Floyd Rose whammy bar pushed all the way to the body of the guitar, and 16 LEDs provide a visual indication of your Preset selection even on dimly lit stages. AmericanMusical.com is an authorized dealer of DigiTech products.

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5/17/2012

Zoom G1XN Guitar Multi Effects Pedal Review

Zoom G1XN Guitar Multi Effects Pedal
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Ok, so I bought this because my friend had an old Zoom multi-effects pedal and he recommended getting one. It's a solid pedal, but has a few drawbacks. First the positives:
Pros:
-Has a lot of room to store custom presets (up to 40, with 40 factory presets you can't permanently change). These are fun to create.
-Has many effects that are decent in quality, and gives a fair amount of control over them.
-Easy to use, came with wallet card explaining the readout, but this is unnecessary after a few days.
-Sounds very good through headphones.
-Comes with AC adapter.
-Pretty well priced. Definitely a good value.
Cons:
-The drum machine sucks. Boring and quiet, even at full volume.
-You can't run more than one effect from each section, which means you can't layer a lot of effects.
-The noise gate is really crappy. It does remove the noise while you're not playing (as a noise gate is supposed to) but when you stop playing the noise comes through for about half a second before fading out, and sometimes it dulls your pick attack. For those who know noise gates, the attack and release are pretty slow, with a hold that's too long for most of my guitar playing.
-The distortions are pretty lame. Many sound very similar and they're all a bit muddy, even when you adjust the EQ.
-The pitch bending effect is pretty poor, but not useless. It sounds shaky and poppy when you bend the pitch more than half an octave.
It'd be much better to get a different pedal for each effect this pedal creates, but that'd be really expensive. All in all, this pedal is great for beginning players or advanced players on a budget.

Click Here to see more reviews about: Zoom G1XN Guitar Multi Effects Pedal

Take the Revolutionary G1N and Slap on an Expression Pedal and You Get the G1XN!Incredible drive tones, effect types and legendary presets, the G1xN is proud to bring every player into the new world of compact multieffects! Ever since Zoom released its 505 pedal back in 1996, guitarists all over the world have coveted these incredible sounds as they have gotten better and more intense every year!The first thing you notice with the G1XN is its totally new drive sounds that were developed using the state-of-the-art ZFX modeling technology. Featuring 15 amp and stomp-box models that faithfully replicate every detail of the classics, from gain settings to harmonic character, the G1XN delivers natural expression from nuanced playing to total bone-sizzling shreds. And the new, original amp models designed especially by Zoom for the G1XN will amazed.It's never been easier to edit effects. Simply select the effect module with the selector knob then edit the value with the value knob. That's all there is to it! You can easily design your own tones to suit your music. Dedicated buttons for saving patches, a bank switcher and integrated rhythm patterns make fine-tuning your sounds a breeze. A chromatic tuner is available simply by stepping on the two pedal buttons simultaneously. And with bright LED indicators, you'll get easy operation even on a dark stage.The G1XN has 9 types of presets that simulate the sounds of rock legends like Jimi Hendrix, Jimmy Page, Eric Clapton and many more. Plus, there are 21 types of artist patches designed by amazing guitar heroes like Michael Amott, Kiko Loureiro, Richie Kotzen, Rob Caggiano, Mike Stone and Matt Bachand, so you can use these professionally designed guitar sounds in your music. Also, there are 10 types of presets for any style of guitar playing, such as power chords, arpeggio, lead, cutting and much more. You can even save 40 patches you create in the G1XN's user memory.Specifications such as a signal-to-noise ratio of 110dB and noise floor of -98dBm demonstrate a level of performance that's not usually seen in units of this class. Background noise is a thing of the past, resulting in superbly transparent sound. Zoom's original noise reduction (ZNR) removes noise in playing pauses, while maintaining a natural release even on the tail of sustained notes.

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5/09/2012

Heet Sound Plus EBow Electric Bow for Guitar Review

Heet Sound Plus EBow Electric Bow for Guitar
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Ebow makes some amazing sounds

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The EBow is a hand-held electronic bow for guitar. The small battery-powered unit replaces the pick in the right hand letting the guitarist mimic strings, horns, and woodwinds with unbelievable sensitivity. The EBow produces a powerful infinite sustain, rich in harmonics for incredible guitar sounds. The Story... The Energy Bow is a totally unique guitar accessory. It's not just an effect like the many plug-in devices on the market. The EBow does its work on the string itself by producing an energy field that vibrates and sustains your guitar string... Direct String Synthesis. Infinite Sustain is just the beginning. Powered by a 9-volt battery, the EBow is held in place of your pick, giving you instant access to violin, cello, flute and horn sounds as well as unique sounds of its own. The EBow lets you play as fast as your left hand can scurry through a lick. Fade a string in from a motionless state for a reverse-tape effect. Run the EBow across the strings for gorgeous arpeggios. Add distortion for a screaming guitar sound. Playing the EBow directly over the pickup will increase your volume many fold and give you the crisp sound of super hot pickups. Moving away from the pickup gives you the mellow sound of a hollow body electric. The sounds you discover by experimenting with the EBow will amaze you. And like the best tools of the trade, the EBow will sound different for each musician. To hear the EBow right now, check out the MP3 files in our resoures category further down on the page. How it Works Welcome to the world of Direct String Synthesis. The principal is simple: a focused feedback loop directed at a single string. This produces a powerful, infinite sustain, rich in harmonics for incredible guitar sounds. It's like amplifier feedback with greater control and predictability, at any volume, even through headphones. This hand-held synthesizer provides an amazing variety of textures and tonal slurs - virtually a

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5/08/2012

Zoom A2 Acoustic Guitar Multi Effects Pedal Review

Zoom A2 Acoustic Guitar Multi Effects Pedal
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I was very skeptical ordering this product because I bought the Zoom electric processor & was not impressed. However I must say I am totally blown away by how well this unit works out of the box. Most of these processors are packed full of over-done processed sounds that needs lots of tweaking so you don't sound like you're playing in outer space. Two days after I got this unit & less than an hour playing & barely having to fiddle around with it I was jamming live in front of 500 people that weekend, and at least 5 of the factory settings were usable without any tweaking at all! It was like my acoustic guitar, only better, sweeter & more vibrant sounding. Not overdone, not too spacey nor too much reverb, just a little more color & better EQ & sound quality. I got several comments from my band members about how good the acoustic guitar sounded.
The unit has some cool modeling features so you can have your guitar sound like the standard Martin D-28 or Gibson dreadnought & others. What I also really like about this unit is it has REVERB, EQ, CHORUS, DELAY, MODELING, PICKUP SELECTION, AND VERY IMPORTANT: a COMPRESSOR! This is a must for live performances, compression smooths out your sound. Many of the other more expensive acoustic processors make the terrible mistake of leaving off either reverb or a compressor.
You could spend more month but I doubt you'd get a better unit? Forget the Zoom electric processor & definitely get this one for your acoustic, its a great unit.
One bad thing--these things eat batteries (if you leave them plugged in with the cords). I was surprised it sucked a fresh set of batteries dead in one weekend with only about a couple hours of playing time, apparently because I left the guitar cable plugged in overnight. But unit does come with an AC adapter. I dont have need for a volume pedal so I skipped the more expensive version, although that unit does come with a XLR (mic cable) jack which eliminates the need for a Direct Box on stage (necessary for maintaining the signal over long cable runs)
Enjoy, thanks for reading.

Click Here to see more reviews about: Zoom A2 Acoustic Guitar Multi Effects Pedal

Zoom's A2 processes the line signal from your acoustic guitar pickup, adding the tone and space normally associated with mic recording. Even if you're playing through an amp or PA, your guitar's natural resonance will shine through. It will also model famous acoustic sounds, and features EQ and effects for getting exactly what you're after.

96kHz sampling brings out the true nature of acoustic guitar sound The rich, detailed tone of an acoustic guitar is created by a delicate triple harmony of strings, neck, and body. But a piezo or magnetic pickup never captures the full body resonance, often resulting in thin sound dominated by the strings. This tendency can't be fully compensated with a conventional preamp equalizer.
The A2 series incorporates 24-bit / 96 kHz sampling and sophisticated sound modeling technology to process the line signal from the pickup, adding a lush body tone and the spatial ambience that is created by mic recording. Even when playing through an amplifier or PA speaker, the resonance of the guitar body is restored, allowing the natural acoustic sound to shine through.
The new ZOOM ZFX-3 32-bit DSP chip The heart of any multi-effect device is its processor and decoder section. ZOOM has attained a new level with the ZFX-3 chip. 32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing. Fine nuances of fingering and touch come through without any deterioration, thanks to this incredibly powerful DSP.
Select optimum characteristics to match pickup and amp model The GLOBAL module that controls settings for the entire unit combines a pair of parameters called AMP SELECT and PICKUP SELECT. These let you optimize frequency response for the type of pickup and amp that you are using. Whether recording or live on stage, you can always get just the right acoustic sound.
Six-band linear equalizer or two-band parametric equalizer provide ambience control Center frequency allocation and filter slopes of the built-in six-band EQ are optimized for acoustic guitar. Peaking type filters in the crucial middle range (320Hz, 500Hz, 1.2kHz, 6.3kHz) are augmented by shelving-type filters at the low and high end (60Hz and 12kHz). Further flexibility is offered by the possibility to switch to a two-band parametric EQ, for delivering a pin-point boost or cut. The A2 series lets you really take control.
Feedback control feature When playing an acoustic guitar on stage, acoustic feedback (howling) is often a problem--but now there is a remedy. The feedback control feature allows automatic or manual detection of the constantly changing feedback point, and an effective notch filter is then brought into action to provide the required attenuation. Auto detection can be triggered with the foot switch to allow swift reaction during a performance.
47 high-quality effects implemented with 32-bit processing Eight modules dedicated to aspects such as dynamics, filtering, modulation, and ambience offer a total of 47 effects. A limiter/compressor lets you control peaks and ensure that levels are matched. The air effect simulates the ambience in a room, the detune effect adds pitch-shifted harmony components for that fleeting 12-string guitar sound. Or emphasize a specific frequency range with the resonator. All of these effects are optimized for acoustic guitar and can be put to use right away. Other features include multi-tap delay and long delay with settings up to 5000ms, reverse delay, flanger, phaser, and various other studio-class effects.
Add body and depth with 3 types of chorus Add just the right amount of body and depth to the sound when you need it. The choice is yours: warm and mild mono chorus, clear and transparent stereo chorus, expansive and three-dimensional chorus ensemble, and more.
Enhance your acoustic sound with 9 types of reverb The A2 has nine types of reverb designed specifically for acoustic guitar including Hall, Room, Arena, Tiled Room. Many guitarists will also be familiar with Spring Reverb. The A2 also features a reverb setting called "Early Reflections" and a Slap Reverb that is a first for this class. Each reverb setting is fully adjustable so the user can make each phrase more distinct.
12 acoustic guitar/preamp sound character simulations A simulation module lets you choose among a number of very famous and popular acoustic guitar tones. The different sonic characteristics that depend on body size and shape as well as on the materials used are faithfully reproduced. What's more, a mic module simulates the sound of guitar as recorded through a microphone, with selectable positioning and mic type (dynamic / condenser).
Analog style editing knobs make it a snap to create your very own sound The three rotary knobs let you tailor three different parameters at the same time. This could be sensitivity, attack, and level for the compressor effect, or delay time, feedback, and mixing level for the delay effect. It's like having an array of stomp boxes ready for action. In play mode, the three knobs adjust the modulation effect mix level, delay/reverb mix level, and the patch level. This lets you quickly match the unit's performance to the band or the room acoustics.
40 ready to use preset patches for stage and studio The unit comes preprogrammed with recommended settings for various acoustic guitar models, settings that are modeled on the signature sound of famous guitarists, rich ambience settings using chorus and reverb, and more. Plus, a user area capable of storing another 40 patches gives you plenty of creative leeway.
World's fastest patch change speed: 8ms The annoying interval heard when switching patches on standard effects pedals has been virtually eliminated. With its record-setting speed of 0.008 seconds, the A2 series never misses a beat. For example, when changing to a lead solo during a song, you no longer need to press the switch slightly in advance. Simply push the foot switch and start playing the solo phrase.
Built-in auto-chromatic tuner for guitar The guitar tuner can be called up instantly by pushing two foot switches together. High-brightness LED indicators make the note readout easy to see also on a dark stage. The calibration range is 435 to 445Hz, and mute tuning without sound output is also possible. Tuning has never been easier or more convenient.
ZNR keeps playing pauses quiet The built-in ZOOM Noise Reduction (ZNR) provides optimized performance for guitar. While minimizing any alteration of the original sound, ZNR shuts out unwanted noise in the playing pauses. Even the tails of long sustain notes come out beautifully, with natural release.
Integrated drum machine with PCM sound sources Realistic drum sounds derived from PCM sources are arranged in a variety of rhythm patterns for different musical genres. The 40 rhythm variations include the steady 8-beat of Rock and Pop, funky 16-beat, a "Jazzy" 4-beat, and many more choices.
Optional foot switch allows versatile remote operation When the optional foot switch (FS01) is connected, tap tempo input of settings such as delay time and modulation rate is possible. Other selectable functions include bank switching, drum machine start/stop, and delay hold on/off switching.
Ultra low noise design with 100 dB S/N ratio With an amazing rated signal-to-noise ratio of 100dB, background noise ceases to be a problem, leaving only superbly clean, transparent sound.
Sturdy metal chassis and rubber damping for superior toughness and durability The combination of a solid metal chassis with shock-absorbent rubber damping ensures that the unit can stand up to the rigors of use on stage. Take it on the road or into the studio, the A2 series will not let you down.
Two-way power allows use just about anywhere Thanks to its circuit design optimized for low voltage operation, the unit will run for more than 7.5 hours on a set of four IEC R6 (size AA) batteries. A separately available AC adapter (AD-0006) can be plugged in for extended studio work, but on stage you never need to worry about AC power.
Expression pedal adds further versatility to your guitar play The optional expression pedal (FP02) is a great way to control effect parameters in real time. Besides adjusting the volume or the tone of a simulation effect, the pedal can be used for manual detection of feedback frequency, controlling the modulation rate, or adjusting the delay/reverb mix level.
What's in the Box Zoom A2 Multi Effects Pedal, AC Adapter, User's Manual

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4/27/2012

Boss PSA-120S AC Adaptor Review

Boss PSA-120S AC Adaptor
Average Reviews:

(More customer reviews)
If you get a Boss product that does not come with this then you need to buy one. I got the BR 600 which takes 6 batteries. Now I don't know about you but I can't afford to be buying 6 batteries every week.

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The PSA-120S is the recommended power supply for products including all new BOSS Compact and Twin pedals, ME-50/-20/-20B Multi-effects, the DB-66/-88/-90 metronomes, DR-Series drum machines, FC-Series foot controllers, MC-202, SH-101, SP-202, TR-626, and all TU-Series tuners. New generation power supply for today's digital instruments 500 mA of current to easily power multiple pedals, even digital ones Power cable length is increased to almost 10 feet LED indicator for quick visual verification of on/off status New design which does not cover adjacent power outlets

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