6/07/2012

Mel Bay Complete Irish Fiddle Player, Book Review

Mel Bay Complete Irish Fiddle Player, Book
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Received more than expected. This publication is 157 pages of History, expert techniques suggesting quality playing of music provided, pictures, locations originated, folklore, examples of dancing techniques done with the songs to help get the feel of what is needed in playing with proper emotions, etc. I could go on and on. It is a sort of teaching tool that does not make you feel like your in a class. He refers to it as a course not meant for the total beginner on violin. Not only very insightful suggestions from a man who obviously loves the music and wants to spread the joy in it but a man who is serious in the art. There is also referals to other areas of Irish Fiddle information. My whole family will enjoy this book for years to come.


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By Peter Cooper. This outstanding book offers a practical guide to the art of Irish fiddle playing. It presents 80 traditional tunes including reels, jugs, hornpipes, polkas, and more. All complete with bowings and chords. Some music reading ability required.

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NS Design CR4 Viola Review

NS Design CR4 Viola
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NS Design CR4 Violin and CR4 Viola
I had been reluctant to buy such an expensive electric violin... in a world where for the same money one could get a stellar first rate premium signature edition electric guitar. Yes, the Electric Violin market is a smaller market, but still the hesitation over price seemed entirely reasonable. When the WAV 4 Chinese NS Design models came out at bargain prices, I jumped and bought one and was largely happy with it (see my Amazon Reviews of the WAV 4 and the Fender FV3 vs the NS Design WAV4).
I heard of people stringing violins for viola tuning (CGDA instead of GDAE) and was fascinated with the idea. I ordered a C string and strung it on the end of my FV3 and ran the other strings over a slot, leaving the E string off when I got to the end. I loved the viola tuning, but couldn't find a C string that sounded quite right with the other strings. Then it occurred to me that perhaps the best way to achieve viola tuning is with a real viola.
Now, if one thought that the market for Electric Violins was small, well, the market for Violas is even more constricted. I kept returning to the NS Design, and because the CR Series describes so well in their own promotional literature, and because the On Line Reviews were so favorable, I decided to order an NS Design CR4... after a few drinks, of course.
Amazon often resorts to The Electric Violin Shop for some of these items, and so I went directly to their site. I remembered that months ago I had inquired about ordering a Bridge Electric Violin from their store and was annoyed that my particular island out on the High Seas was not included on their address drop down list... making the order impossible to conduct as per usual. I complained in their Contact Us Box and then quickly forgot about getting the Bridge Violin anyway... the pretty colored ones were all sold out, leaving only the ugly colors available, and not at reduced pricing either... full price for the ugliest things you would ever not hope to see. Anyway, you wouldn't believe what happened! These wonderful people took my harsh suggestions to heart and fixed the addressing problem. When I went to order the NS Design CR4 Viola, there it was, my Island was on the drop down list... which was when I remembered how hard I had been on them (remember I had had a few drinks). Of course, with my order, I included a heart felt apology as well as expressions of my deepest gratitude for appreciating my business and preparing for it.
With orders of that price, the ordinary mails of the United States can not be trusted... it seems that the Ordinary Mail Service can hire thieves to work at much lower rates than honest men and women, and at the end of the day the Ordinary Postal Service doesn't need to worry about delivering quite so much as they would if their low wage employees didn't pick through it all at first. So The Electric Violin Shop uses premium shippers, adding almost $200 to the Order, but my CR4 arrived almost the same day, except that Thanksgiving Day intervened. The Sales Lady had included a nice little hand written note thanking me for my business and wishing me luck. I think I will be a return customer to that particular Electric Violin Shop.
I had read a CR4 Review before which spoke of an NS Design Violin arriving in tune. Well, so did mine. Plugged into my existing Electric Violin settings and sound systems, I was playing in a manner of minutes.
Oh, if you read my older Reviews, you will find that I have had problems supporting the heavier electric violins, that is, just holding them up in a position to play, and they tend to slip slide around a lot. Its all rather distracting and takes a great deal away from the Music. So I did take about 20 minutes to fashion a Violin Choker, patent pending (see my other reviews on the WAV and the Fender FV3), out of a key ring, and key ring clip, and some cotton cloths line rope and cotton string. I clip it through the NS Design Shoulder Rest bracket and it holds the Viola very closely under my chin. The Viola remains so steady, I don't even need to use the chin rest.
The volume knob on the CR4 works well... on some instruments the resistance of the volume potentiometer seems ill selected, as not much actual volume range is covered using the instruments volume knob, and one has to make all of the big volume changes at the amplifier and processor stages.
There are two tuner controls. The first should be labeled "BETTER" and the second one labeled "WORSE"... the first does away with that harsh electric sound, and the second one heaps more of it on. Anyway, the CR4 can probably be dialed in pretty close to whatever it is you are looking for, even before outputting to whatever processors and effects units are awaiting down-line.
Fit and finish is really superb. I knew that the NS Design CR4 had active electronics and so must have had a battery, but did not immediately see where the battery access panel was, or even how to get into the string bay, as I had done with the WAV 4. But eventually the little retainer bracket moveable tab attracted my attention, and when I moved the tab off to the side, the battery and string bay cover fell right off. You know, the entire back panel and battery string cover had fit so well together, I had thought it had been one entire piece. I had actually been set to take a screwdriver to the whole thing.
The wood, body and finger board are excellent and attractive. You know, I confess to using olive oil on my fingers to speed up my fingering and make modulating the strings easier, and this is the first time ever that a new violin has not turned my finger inky black. That means that after their last staining of the fingerboard they had actually taken the time to do a fine sandpapering of the fingerboard... it was so nice and smooth. Usually I have to do that kind of fine detailing myself, but they had done it for me. Thank God, for a change.
Oh, and the strings seem fine. Usually one has to toss that the strings that come with these things, But NS Design used what sound like premium steel chrome wound strings.
I had complained of the WAV4 being stiff and inflexible... not giving much of a sense for player `feel', but the CR4, at least the Viola (I haven't played the CR4 Violin but imagine it is quite similar in all regards), seemed to have flexibility... that when using some strength and force in modulating the strings, the violin actually bends in a bit... a great perception of playability and control... a rewarding `feel' to the instrument. One has to wonder how they did it... apparently the CR4's are not the same thick blocks of wood that the WAV models are.
Now a word on Violas in general. I had heard it said that Violas, being larger, are therefore slower. Well, my Fender FV3 Violin measures from the nut to the bridge for a string length of 12 7/8 inches, while my Viola measures 14 1/4. That is not much of a difference... just ten percent. But it does seem to give me more Tonal Resolution, that is, it's easier to land on exactly the right note sweet spots, so to speak, even if one has to move a bit further to reach them. And when one rolls one's fingers to modulate notes, one can get in a much more vigorous wiggle without worrying so much about over-modulating. Anyway, after having played both Viola and Violin, and not to sound condescending, but the Viola seems more fit for men, while the violin seems better suited for the smaller hands of boys and girls.
Oh, and as far as trading the Violin's high E String for the Viola's low C String ( violins are tuned to GDAE while violas are tuned down to CGDA ), while occasionally the lilting and ethereal E string has its valued uses, particularly when clustered together with other violins in concert, still in most cases that really piercing high string is used only because it is there, and the results are shrill and often clash with the other instrumentation. Bands are often afraid of including an Electric Violin, and only because they fear those wildly high E Strings stabbing into their brains by way of the ears. The Viola, however, with that C String on the low end, can reach some real bassy lows, and one can still finger far enough down on the high end A string to suggest the musical mood and intensity of Going High without actually going so high as to be positively annoying. My feeling is that if Violas became better known, they would certainly become more popular, and would largely replace the violin everywhere but in concert venue.


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4 String Solid-body electric viola with Polar pickup, dual mode preamp

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6/06/2012

Cremona SB-2 Premier Student Upright String Bass, 3/4 size Review

Cremona SB-2 Premier Student Upright String Bass, 3/4 size
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Hi readers,
I was in the market for a starter string bass for 2-3 months in the spring of 2006, but wasn't serious enough to try to locate a shop that had any that I could try out.
I really lucked out by finding this Chinese crafted string bass on Craigslist; at a small music store in Vancouver, Washington, a short drive from my home in Portland, Oregon.
As I recall, it was a very hot day (6/24/06) when I went to locate the as advertised: New 3/4 Cremona SB-2 with padded gigbag with 1 yr warranty, for six benjamins.
This was an interesting, but strange shopping experience - let me explain. I spent half an hour ear-tuning the bass against the bass guitars hanging up on display - taking a while since I was not familiar with the tension and gear ratio of string bass tuning machines. Once I got this SB-2 roughly in tune, I realized I didn't know how to play it. Even though I played fretted and fretless Fender P and J- basses, the 3/4 double bass is very different, with the much longer scale length, the much fatter neck, and the much higher action.
So I zipped it up, purchased it, and brought it home in the back of my '95 Mercury Sable wagon.
Since that time, I've taught myself (by ear) some mainly open string fingerings of bass guitar riffs to some of my favorite songs that I play and sing to - from the following genres: folkrock, blues, bluegrass, and country. Even though I consider myself to have a good ear, it was a challenge to learn how to play my string bass in tune. You really have to stretch to finger a full step between notes on the 42-inch scale length of the string bass (no frets, no lines, no side dots). After I learned to play my SB-2 in tune (this worked for me: I would play my string bass at night with the lights turned off). I'll even venture to say that, because of improved ear training from playing my string bass, I found it easier to play my '78 Fender P-Bass fretless without looking at the side dots.
When I'm in the mood for the challenge, playing my string bass is a rewarding experience, mainly from the rich full-bodied bass acoustic vibrations you hear and feel, an experience not closely duplicated by my electric basses.
For playing in electric settings, I installed a Fishman BP-100 Acoustic Bass Pickup, and plug into my Gallien Krueger MB150S combo amp. I've played my SB-2 at open mics at bars, at my Catholic Church folk mass (I'm the bass player there, playing my Fender electric basses most of the time), at a neighborhood block party with another acoustic guitarist, and most recently, "unplugged" in my back yard this past Fourth of July, with my son's friends on acoustic guitar, ukelele, and bucket drums.
With a 3/4 string bass, zipping it up in the "sleeping bag" (gigbag), hauling it out of the house without knocking the somewhat fragile bridge against narrow door jambs, getting it safely into my car or pickup truck (noting the bridge must be on top), getting it into the venue, tuning it up, setting it down where no one's going to trip on it, amplifying it without feedback, and finally playing it, hopefully in tune - these are all done with planning and intention. Overall this makes me much more appreciative that Leo Fender invented in the year I was born (1951) - the solid body electric "Precision" bass.
Yes, the Cremona is heavy, but it is sturdy. I'm careful when I transport it, and it's proven to be trouble free. It stays in tune. The strings that came on it are still on it. To my ears and fingers, they are really nice sounding strings, and oh so smooth. The matt finish is easy to take care of - fingerprints don't show. Even dust doesn't show unless you start looking more closely. I bought it new, for a great price!
Lastly, it's a really empowering feeling when I walk into an acoustic guitar store that sometimes has a really fine old string bass on display in a stand, and sidle up to it, release the neck from its grip, close my eyes, and gently play something on it - in tune, filling the store's space with resonating bass notes!
Thanks for reading!


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Road warriors, Schools, Acoustic/Bluegrass/String/Jazz bands all need affordable, powerful bases that can take a beating and still produce day after day. The SB-2 3/4 is that Bass!

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Matrix MPU2 Clip-On Tuner Microphone Review

Matrix MPU2 Clip-On Tuner Microphone
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I received the tuner promptly in excellent
condition and it is performing better than
I am.

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This Matrix transducer clips directly onto the bridge and can be plugged into any tuner_s input jack for tuning without interference from room noise.

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6/05/2012

Ebony Cello Mute Review

Ebony Cello Mute
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After my daughter returned from music camp, she said she needed a mute for her cello. I read up on them and it was suggested to try several types. This was one of the mutes we tried. This mute did not fit on the bridge. She was afraid that if she forced it, it would break her bridge. It is not flexible because it is made of wood. It is a very pretty but other than looks we find it to be worthless.

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This higher quality ebony cello mute is easy-on and easy-off. Fine quality ebony in the traditional 3-prong design.

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Cremona SC-130 Premier NoviceCello, Full-Size Review

Cremona SC-130 Premier NoviceCello, Full-Size
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Cremona is a company out of China that produces this particular piece. The quality of the strings, bow, and bridge are low... But the quality of the cello body itself is quite remarkable for the money... This would be perfect for any beginner cellist. However my bow, in particular has a slight bend to it, does not effect playing too drastically... And I needed to replace the strings, as they'd screech often, and not note properly. After investing ~$80 into strings, and better rosin, my Cremona SC-130 sounds beautiful. And I'm very fulfilled with this purchase.

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Saga took an already-great cello and dressed it up with genuine Ebony fittings and the result is...The SC-130 cello outfit. This superb value in an economy-priced, handcarved instrument will bring the joys of cello study to many an aspiring student.

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6/04/2012

The Original Slipstop Endpin Rest for Cello - Black Review

The Original Slipstop Endpin Rest for Cello - Black
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This simple rest is big enough to accept the rubber stopper on the endpin of my NS bass. My buddy with white carpets appreciates it.

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The Slipstop Cello Endpin Rest by RDM is an aluminum plate with floor sticking and protecting spounge rubber.This is the ORIGINAL Slipstop Cello Endpin Rest by RDM, not an imitation!

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